Story Structure

A race has a beginning and an end. A story has a beginning and an end. But races are linear—you go step by step. Stories might loop around and have flashbacks and other chronological anomalies.

My first idea for Man VS Horse would have been more like a race. We’d start at the starting line and end at the finish. We’d learn about our characters’ backstories through dialog or narration during the race. I even wanted the length of the text for each mile of the race to reflect the protagonist’s mile-times: a ten-minute mile would take a page, while a five-minute mile would take half a page, and a twenty-minute mile would take two pages. I still like this idea. I know movies bother me when a character says, “the bomb’s going off in ten seconds!” and you count to thirty before they defuse it with a second left.

But while restrictions can breed creativity, those rules produced something subpar. I’m glad I tried it, but this time I’ll allow myself some more creative liberty.

Longer miles will still take up more text, I hope; I think that should have an effect on the reader, making them exhausted alongside our protagonist.

But I’ll allow myself some flashbacks at the end of every ten miles. If our billionaire is going to claim the protagonist’s legs, we gotta explore his history and figure out why he thinks that’s a remotely reasonable option.

You’ll notice in commentaries I’ll often call the characters ‘the billionare’ or ‘the protagonist.’ I haven’t settled on names for the characters yet. I just chose ‘Alphonse’ and ‘Jonas’ because they came to mind. Maybe I’ll get attached to those names and decide to keep them, or change them to something more thematic. This is a living document; I reread and make edits every so often.

I hope you have fun reading!

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